Motion Vector Estimation & Optical Flow Algorithms for High-Frame-Rate Retiming
Mathematical foundations of optical flow: Horn-Schunck, Lucas-Kanade differential methods, bi-directional motion vector interpolation, and occlusion masking.

Authoritative technical manuals, color science whitepapers, and video processing tutorials covering ACES 1.3 workflows, WebCodecs low-level decoding, Dolby Atmos spatial audio, GPU compositing, and FFmpeg WebAssembly pipelines.
Mathematical foundations of optical flow: Horn-Schunck, Lucas-Kanade differential methods, bi-directional motion vector interpolation, and occlusion masking.
Linear Timecode (LTC), Vertical Interval Timecode (VITC), genlock phase alignment, and algorithmic FFT audio waveform cross-correlation for automated multi-cam sync.
Building multi-layer real-time video compositing engines, blend modes (Multiply, Screen, Overlay), alpha matte extraction, and WGSL compute shaders.
Human visual perception of luminance (Y) vs chrominance (Cb/Cr), spatial sub-sampling grid alignments, color banding, and VFX chroma keying artifacts.
Mathematical formulation of Primatte and Ultimatte color difference keyers, green despill algorithms, core vs soft garbage mattes, and sub-pixel edge refinement.
Object-based spatial audio architectures, 7.1.4 bed channels, ADM BWF metadata, HRTF binaural panning, and loudness compliance in multi-channel audio.
K-weighting frequency filters, integrated LUFS, momentary vs short-term loudness, true peak meters (dBTP), and mastering for Netflix, Spotify, and YouTube.
Direct access to low-level GPU video decoders, VideoDecoder, VideoFrame chunk demuxing, and zero-copy canvas rendering in web browsers.
Comparative analysis of intra-frame vs inter-frame compression, bitrates, 10-bit/12-bit chroma fidelity, and decoding performance in editing timelines.
Deep dive into Academy Color Encoding System (ACES), IDT camera transforms, ACEScc vs ACEScct grading spaces, and ODT display transforms.
Data structures for non-linear video editors (NLEs), interval trees for timeline track management, Edit Decision Lists (EDL), and FCPXML synchronization.
Mastering high dynamic range video: SMPTE ST 2084 PQ electro-optical transfer functions, BBC/NHK HLG compatibility, MaxFALL/MaxCLL metadata, and Dolby Vision.